Small presses accept more input from authors. With a larger press, authors have absolutely no say in cover design, blurbs, or marketing. Lastly, smaller presses are more accessible. Smaller presses can offer larger royalties, and give authors greater leeway in terms of rights. There is very little room for negotiation. Among larger publishers, contracts are written in stone. With a smaller press, the wait is a matter of a few months.Ī second advantage is that there is greater flexibility in contracts. Larger publishers often take upwards of a year to produce and distribute a book. For one thing, there is a shorter gap between acceptance of a manuscript and production. There are some important advantages to publishing with a smaller press. Please list any previous publications in paying markets.While the Big Five publishers require an agent, many smaller publishers do not. Briefly tell us what genre or subgenre the submission falls into and mention any qualifications you have that pertain to the work. A dated cover letter that includes your name and contact information and the title of the submitted work. The first page of the synopsis and the first page of the text should also include your name and contact information and the title of the manuscript.ģ. The synopsis should run between three and ten pages in standard manuscript format. The synopsis should include all important plot elements, especially the end of the story, as well as character development for your main characters. includes your name and/or the title of the book as well as the page number (on every page).Ģ. Standard manuscript format means margins of at least 1 inch all the way around indented paragraphs double-spaced text and Times New Roman in 12 pitch. (If your chapters are really short or really long, or you don’t use chapter breaks, you may send the first 40-60 pages of your book, provided you stay under 10,000 words.) The submitted text must be made up of consecutive pages and should end at the end of a paragraph, not in mid-sentence. Submissions should be emailed to Submissions Only with the exception of material for Tor.com (short stories/novellas/novelettes)ġ. My graduate cohort voted me Most Likely to Survive the Apocalypse. ![]() I have a third degree blackbelt in Shotokan karate and own an embarrassing number of swords (which I actually know how to use, courtesy of working at a Renfaire as an actor for 12 years). I hold a PhD in theatre history and performance studies as well as being the theatre editor for The New York Review of Science Fiction. If you click the editorial link, you can check out some of my latest authors. Caveat: I do not look at middle grade or YA submissions. I am also open to considering SF/F novellas for Tor.com Publishing and short stories for Tor.com. I have the pleasure of working with a number of talented Tor authors such as Sue Burke, J. My current list includes military sf as well as epic and political fantasies. ![]() The books that I find most compelling engage with new ideas, alternate or immersive worlds, and new science. In all cases, however, I want nuance-in the worlds, in characters, in dialogue. Material from indigenous peoples regardless of country would be very welcome in my inbox. I would love to see some more “in-system” science fiction as well as more international material whether that be the author’s country of origin or the story’s characters and content. Novels with ensemble casts and found families engage me a great deal.īoth commercial and literary science fiction and fantasy are welcome. I appreciate veins of weirdness, or dark humor. Material that’s hard to categorize in terms of which genre it inhabits often delights me. ![]() I am particularly drawn to first contact and well-done alien cultures, and I also admire complex world building with political machination, heists, and compelling characters. That said, I admit I love science fiction a bit more than fantasy. I would best describe myself as a genre omnivore. I am not currently taking unagented or unsolicited manuscripts.
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